{"id":568,"date":"2013-11-02T16:34:59","date_gmt":"2013-11-02T19:34:59","guid":{"rendered":"http:\/\/claudezilberberg.org\/portal\/?page_id=568"},"modified":"2018-09-18T19:41:31","modified_gmt":"2018-09-18T22:41:31","slug":"semiotique-et-esthetique","status":"publish","type":"page","link":"http:\/\/claudezilberberg.org\/portal\/?page_id=568","title":{"rendered":"S\u00e9miotique et esth\u00e9tique (2003)"},"content":{"rendered":"<h4><a style=\"line-height: 1.714285714; font-size: 1rem;\" href=\"http:\/\/claudezilberberg.org\/portal\/wp-content\/uploads\/2013\/10\/esthetique.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" title=\"esthetique\" alt=\"\" src=\"http:\/\/claudezilberberg.org\/portal\/wp-content\/uploads\/2013\/10\/esthetique.jpg\" width=\"150\" height=\"232\" \/><\/a><\/h4>\n<p>Cette production collective se signale d\u2019abord par la tr\u00e8s grande diversit\u00e9 des \u0153uvres abord\u00e9es ; cette diversit\u00e9 est tant\u00f4t celle du plan de l\u2019expression, tant\u00f4t celle du plan du contenu, qu\u2019il s\u2019agisse de litt\u00e9rature, de spectacle, de cin\u00e9ma, de dessin, de sculpture, de peinture ou de phras\u00e9 (dans le cas du rap)\u2026Par ailleurs la voie suivie est la m\u00eame : l\u2019analyse invente son objet \u00e0 mesure qu\u2019elle progresse. La s\u00e9miotique, depuis les ann\u00e9es 1990, int\u00e8gre la ph\u00e9nom\u00e9nologie, recentre sa d\u00e9marche sur l\u2019\u00e9nonciation et la perception qui articule sensible et s\u00e9mantique. Quand elle s\u2019int\u00e9resse \u00e0 l\u2019esth\u00e9tique, c\u2019est pour explorer l\u2019exp\u00e9rience des \u0153uvres afin de rendre compte de l\u2019acte perceptif complexe qui construit l\u2019esth\u00e9sie.\u00a0<em>S\u00e9miotique et esth\u00e9tique<\/em> (org. avec Fran\u00e7oise Parouty-David). Limoges: Pulim, 2003.<\/p>\n<p><a href=\"http:\/\/epublications.unilim.fr\/revues\/as\/4262\">http:\/\/epublications.unilim.fr\/revues\/as\/4262<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cette production collective se signale d\u2019abord par la tr\u00e8s grande diversit\u00e9 des \u0153uvres abord\u00e9es ; cette diversit\u00e9 est tant\u00f4t celle du plan de l\u2019expression, tant\u00f4t celle du plan du contenu, qu\u2019il s\u2019agisse de litt\u00e9rature, de spectacle, de cin\u00e9ma, de dessin, de sculpture, de peinture ou de phras\u00e9 (dans le cas du rap)\u2026Par ailleurs la voie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":442,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-568","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/claudezilberberg.org\/portal\/index.php?rest_route=\/wp\/v2\/pages\/568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/claudezilberberg.org\/portal\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/claudezilberberg.org\/portal\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/claudezilberberg.org\/portal\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/claudezilberberg.org\/portal\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=568"}],"version-history":[{"count":5,"href":"http:\/\/claudezilberberg.org\/portal\/index.php?rest_route=\/wp\/v2\/pages\/568\/revisions"}],"predecessor-version":[{"id":1219,"href":"http:\/\/claudezilberberg.org\/portal\/index.php?rest_route=\/wp\/v2\/pages\/568\/revisions\/1219"}],"up":[{"embeddable":true,"href":"http:\/\/claudezilberberg.org\/portal\/index.php?rest_route=\/wp\/v2\/pages\/442"}],"wp:attachment":[{"href":"http:\/\/claudezilberberg.org\/portal\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}